Tihana Kušter
Magistra ranonovovjekovne povijesti i povijesti umjetnosti. Urednica je portala Povcast.hr i doktorandica Predmoderne povijesti na Filozofskom fakultetu u Zagrebu s istraživačkim interesom za digitalnu historiju. U slobodno vrijeme bavi se moderiranjem rasprava dvaju vrsnih intelektualaca - todlera.
Latest posts by Tihana Kušter (see all)
- Najstariji prank pronađen u Hrvatskoj! British Museum o tantalusu iz Vinkovaca - 23/08/2019
- Frankapanski mit o rimskom podrijetlu nije bio tek izraz “humanističke mode” - 06/07/2019
- Studiji Javne povijesti: O edukaciji, pripravništvu i zaposlenju (Okrugli stol, Wroclaw, Public History Summer School) - 02/07/2019
Youtube kanal The British Library objavio je nedavno seriju od sedam kratkih videa u trajanju do dvije minute u kojima Patricia Lovett, profesionalni kaligraf i iluminator, pokazuje proces izrade iluminiranih rukopisa: od izrade pera, tinte, pergamene, pigmenata, boje do naposljetku stranice rukopisa.
Kako izraditi najbolje pero za pisanje i kakva pera su koristili ljevaci u srednjem vijeku? Koji dijelovi životinje daju najbolji materijal za izradu pergamene i što su lacuanae? Od čega se izrađivala tinta i koliko je trajao proces izrade? Po čemu su minijature dobile ime i zašto se ne zovu minijaturama jer su oslikane minijaturnim detaljima? Pogledajte kvalitetnu i sažetu seriju Making Manuscripts.
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Making Manuscripts: Quills
#PolonskyPre1200
Did you know that left-handed pens were in use during the Middle Ages? Patricia Lovett demonstrates how to make quill pens from bird feathers.
Explore illuminated manuscripts from the national libraries of the UK and France: https://www.bl.uk/medieval-english-french-manuscripts -
Making Manuscripts: Oak Gall Ink
#PolonskyPre1200
Why were wasps so important for medieval scribes? Patricia Lovett reveals the complex process behind making ink for writing in manuscripts.
Explore illuminated manuscripts from the national libraries of the UK and France: https://www.bl.uk/medieval-english-french-manuscripts -
Making Manuscripts: Vellum
#PolonskyPre1200
What material did scribes use instead of paper for the pages in their books? Patricia Lovett discusses how animal skins were selected and prepared for use in medieval manuscripts.
Explore illuminated manuscripts from the national libraries of the UK and France: https://www.bl.uk/medieval-english-french-manuscripts -
Making Manuscripts: The Page
#PolonskyPre1200
How did scribes prepare their pages for writing? Patricia Lovett examines the tools for ruling and line marking in medieval books.
Explore illuminated manuscripts from the national libraries of the UK and France: https://www.bl.uk/medieval-english-french-manuscripts -
Making Manuscripts: Pigments
#PolonskyPre1200
How did illuminators make the brilliant colours in their manuscripts? Patricia Lovett uncovers the variety of pigments that were in use in the Middle Ages.
Explore illuminated manuscripts from the national libraries of the UK and France: https://www.bl.uk/medieval-english-french-manuscripts -
Making Manuscripts: Paint
#PolonskyPre1200
What role did eggs play in illuminating manuscripts? Patricia Lovett explains how medieval artists painted the beautiful illustrations in their books.
Explore illuminated manuscripts from the national libraries of the UK and France: https://www.bl.uk/medieval-english-french-manuscripts -
Making Manuscripts: Making Miniatures
#PolonskyPre1200
How did medieval artists make their manuscripts shine? Patricia Lovett explores the work behind painting and embellishing manuscripts and reproduces a lavishly illuminated page.
Explore illuminated manuscripts from the national libraries of the UK and France: https://www.bl.uk/medieval-english-french-manuscripts
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